The Deeper One

It's always there, no matter where I am.

I have only to remember to look for it.

See more surreal photography here.

At the Door

I blame Genesis 4 for this one.
It took me a good three hours to draw. I had fun with the slightly warped depth and perspective.

See more monsters.

The Way of the Sea

The crash of your thunder was in the whirlwind; your lightnings lighted up the world; the earth trembled and shook. 

Your way was through the sea, your path through the great waters; yet your footprints were unseen.

Pen and marker on vellum; based on Psalm 77.

Find more drawings based on the Bible.

Words Are Dangerous

My House III
8" x 8"
Watercolor and pen on vellum

My brain is full.  Words are dangerous—
so I won't give them to you tonight.

You can find more art based on human bones here, or check out the other images in the "My House" series.

Glue, Paper, Charcoal, Philippains

Crying Tree
18" x 24"
charcoal, glue, and scrap paper

See more of my mixed media art based on the Bible here.

A Scratchboard Jungle

The Jungle
clay scratchboard and sumi ink
2.5" x 8"

See more of my black & white art.

Pouring the Wine

This drawing resides at the Icicle Ridge Winery.  Someday I'd like to create a series of wine-themed art pieces.


Made with pen, acrylic paint, water, and colored chalks.

See more of my mixed media work here.

The Obedient One: Completed

The Obedient One

I draw monsters.
Here are some more.

See an earlier stage of this painting, or check out more pieces in my Philippians series.

2 Things I Observed in San Diego

A wounded cactus, a bird taking flight at sundown . . . these are two of the things I observed in San Diego.

I also stumbled across an astronomy club down town, and they let me take a look through their telescope.

I got to see four of Jupiter's moons.  It made understand: there's a lot more to see.




See more of my photography.

Controlled chaos: "The Starvation for Home"

The Starvation for Home
3' x 4'
Acrylic on canvas

I really enjoyed making this painting—employing gravity and excessive amounts of messy watered-down paint.  I get a kick out of using destructive forces for constructive means.

I like hands, and I use them in art a lot.  You can see more paintings with them.